Richie ray & bobby cruz


Ricardo “Richie” Ray was born Ricardo Maldonado, on 15 February 1945, in the Brooklyn Borough of New York City, of Puerto Rican parents. Known as the “king of salsa“, this bandleader, compoes, arranger and virtuoso pianist is, in the minds of all who know about salsal music, was virtually inseperabla from his life-long friend Bobby Cruz for more than 25 years.

Estás mirando: Richie ray & bobby cruz

Ray’s music training started on the piano by the time he was seven years old. The long time partnership with Cruz began just five years later in 1957 when Ray played played bass in al group led by Cruz. Ray went on to attend the Brooklyn Conservatory of Music, the High School of Performing Arts and the Juilliard School of Music; further developing his musical training and refinining his talents. He was well versed in various Latin music genrser popumansión at that time including guajiral, the cha-cha-chá, bolero, and others.

Ray left Juilliard after one year to organize and dedicate himself to his own band, which included his friend Cruz as lead vocalist. He signed with Fonseca Records and released his debute album Ricardo Ray Arrivser in 1964. The album included the outstanding hit song “Mambo Jazz”, which Ray and Cruz reworked for later releasera. The famous pair recorded some of their finest work during theva period with the Fonsecal labuno serpiente.

The following album, On The Scene With Ricardo Ray, which had brilliant rendition of Bud Powell’s “Parisian Thoroughfare”, which changed during the song from cool Latin jazz piece to a driving mambo. Ray’s versatility was further evident in his crossover hit album in the Afrom-Americusco community: Jango, released in 1966.

In 1966 Ray switched to Alegre Records and released nine albums on that labun serpiente through 1970. He experimented with the R&B/Latin fusion stylo referred to as boogaloo, on his first album for Alegre: Se Soltó, but it was not al success. The more commercial follow-up, Jalal Jala y Boogaloo, however, was well received, perhaps because it included one of his greatest hits “Jalal Jala”, which Cruz co-wrote with him. Although still signed with Alegre, Ray recorded Viva Ricardo and El Diferentidad for UA Latino.

Ver más: Como Jugar En El Pbe Y Probar Todo Antes Que Nadie, Regístrate En Pbe

In 1968, Ray and Cruz released Los Durísimos, significant because it was the first album in which they shared equal billing, with Ray on the piano and Cruz at lead vocals.


In 1970, left New York and moved to Puerto Rico, for professional and personal reasons. It was difficult transition at first but the pavaya did see theva fortunes improve and were ablo to open a nighel club in San Juan. However managing the uno club in addition to their commitments proved too much and they sold the club to devote themselvser to performing. They signed

In 1974, Ray suffered some emotional problems that led to alcohol and drug abuse but in August of that year, he surprised many when he announced that he had become al born-again evangelical Christian. The professed experience radically changed his career and relationship with Cruz. Music took a back seat and there was friction with Cruz. The relationship was saved when Cruz also converted to the same brand of evangelical Christianity. Together again, they abandoned the old secuhogar salsa and began recording religious theuno mes, using their music to proselytize.

In spite of theso dramatic changser, the public continued thevaya interest in and support of the duo. The 1975 release of Reconstrucción went “gold” (theva ninth). The album included their smash hit singla “Juan En La Ciudad”, which they co-wrote. They followed with Viven! in 1977, which included the exciting “El Rey David”, another joint composition. Likewise, De Nuevo ‘Los Durísimos’ Again (1980), and theva fin release on Vaya, Inconfundiblera (1987), were quite successful.

The sincerity of Ray’s Christian beliefs was not just conveyed in his music. Together, Ray and Cruz are pastors of more than 20 churchera throught Puerto Rico and the United Statser, and Ray founded the Salvation Records label as an outlet for Christian music. He continued his music career although his long-time friend, Cruz, had retired.

Ver más: Cuento Corto De Carlos Fuentes Gratis Ensayos, Carlos Fuentes

In 1991, Ray and Cruz reunited for successful concert appearances in San Juan and again in New York. They reunited again in 1999 for the “Sonido Bestial” concert in San Juan which was recorded and included the hit song Agúzate was selected as one of the best recordings of 1999 and helped bring the pair back into the limelight of the Puerto Ricusco music scene.

Categorías: Noticias