Juan luis guerra nora vega

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Juan nombre de niño Guerra - Biography


By Robert Leaver

Tall, bearded y slightly awkward, this singer from the Dominican Republic with an angelic voice enjoyed ns meteoric climb to Latin música pop stardom in los ‘90s. As uno measure the his success one only need note the he was ns first Latin artist come receive a million dissension contract come advertise because that Pepsi-Cola. The son of a semi-professional athlete, Juan Luis guerra was born June 7, 1957 in santo Domingo, the capital of los Dominican Republic. He started playing etc at ns age of diez and learned literature y philosophy at the Universidad voluntario de beato Domingo before taking up the serious examine of etc at el Conservatorio Nácional ese Música de Santo Domingo. ~ above graduation he won ns scholarship come study musical at ns prestigious Berklee universidad of música in Boston, Massachusetts. It was there that he met style student Nora Vega, who he would certainly marry and form un family that now includes dos children. Returning to the Dominican Republic con his level in jazz ingredient he started composing jingles because that radio y television and formed un quartet that vocalists working under the coporación, grupo name 4-40.

Strongly influenced by The manhattan Transfer 4-40 taped an album in 1984, Soplando which was later re-released as The original 4.40 (1990 WEA Latina). Their blend of música elements was based on merengue con contemporary jazz-vocal harmonies and complex chord progressions. Ns album did not market significantly but kept his musical career top top trajectory as he was signed come Karen records and encouraged to deliver much more commercial merengue. Arising his an abilities as a composer and lyricist he recorded Mundanza y Acarreo (1991 BMG) in mil novecientos ochenta y cinco and Mientras hasta luego lo pienso…tú (1987 Karen), which had he very first conscious effort to crossover, “Guavaberry,” a tune sung in English. Throughout the next studio recording many transforms were do to the lineup and Guerra stepped more fuera front as ns leader and principal arranger of ns group. The result was ns masterful Ojalá ese llueva el café (1989 RCA) whose title track comes desde an expression guerra picked increase in the impoverished, coffee-growing countryside whereby they say, “I wish it would certainly rain coffee.” ns song became ns bit hit throughout Latin america as go “Visa para un sueño” (Visa to dream) creating Guerra’s reputation as un lyricist. “Woman después calla,” or “silenced woman” featured los Venezuelan grupo “Un acabó Pueblo.”

Blessed with un smooth tenor voice guerra employs los subtle nuances of group harmony vocals to his compositions it is in they ballads or up-tempo merengues. He became masterful at fusing diverse musical elements y conjuring up an imaginary id of aboriginal Taino culture. He also took the Dominican rural música of bachata (often frowned ~ above as lower class) y gave it ns more polished, parlor-friendly arrangement y lyrics an ext on par with the poetics of los “nueva trova” movement. Back he never ever thought of himself as ns poet he cites paul Neruda of Chile y Federico Garcia Lorca the Spain as influences. His songwriting constantly begins con the música worked fuera de on guitar and ends with los lyrics. Contrary to popular perception that songwriting is 90% perspiration y 10% inspiration guerra says the for that it is los reverse- 90% inspiration. While he embraced success, he seemed to be an ext surprised than anyone as soon as it came.

With los release that Bachata Rosa (1990 Karen) Guerra’s star shone brighter than ever as los album at some point sold much more than 5 million copies worldwide y earned him his first of uno slew the Grammys. Fancy production employing an expanded cast of musicians and engineers los promotional tour alone employed 18 musicians, ten engineers y featured state of the arte video screens y smoke machines. “Burbujas de Amor” (Bubbles the Love) was los first hit adhered to by “La Biribullina” i m sorry turns disease into ns vehicle because that humorous medical metaphors. Cuban piano wiz gonzalo Rubalcaba injects part heady keyboard right into “Carta del Amor” (Love Letter) and Guerra does un rousing version of ns Congolese melody replete with del sur African style vocal harmonies (like Ladysmith black Mambazo) top top “A preguntar acerca de Su Mano” (To asking for her Hand). On ns strength of this album pelear reached uno vast new world audience in Europe and signed uno lucrative contract con Pepsi-Cola. Ns Portuguese variation of los album Romance rosado (1991 Polygram Brazil) was also released capturing the imagination of los Brazil public.

To marcos the 500th anniversary of los “discovery” that the america Guerra exit his many serious document to date Areito (1992) turning his songwriting to an ext societal concerns. The contradictory “El costos de la Vida” is uno downright please dance track about the rising price of living. “Si de acá saliera petróleo” attributes salsa legend Ruben knives on backing vocals y imagines what it would be prefer if the Dominican Republic win oil, wonder if they would be far better off. Other guests incorporate Puerto Rican conga maestras Giovanni Hidalgo and the nuevo York Philharmonic Orchestra who embellish the romantic tune “Cuando té beso.” he does a version of ns one the Haiti’s most famous extendido songs by nemours Jean-Baptiste renaming it “Mal de Amor” (Lovesick)- standing versus traditional bigotry in an act of social respect for ns Haitians who share the isla of Hispaniola. He likewise constructs what that imagines to be aboriginal Taino music and chant employing them throughout and comments that ns closing track, “Naboria/Daca Mayanimacana,” was the “Taino plea because that mercy before being slaughtered.” despite injecting his generalizado Caribbean musical stew con some somber thoughts ns record tho sold gastos generales two million and led that into uno longer tourism schedule play to vast coliseum crowds.

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For his next recording batalla reached regreso through los African Diaspora y enlisted los services of ace Congolese guitarist Diblo Dibala. A fan that Congolese soukous the had already set ns precedent with his track “A preguntar acerca de su Mano,” influenced by Lea Lignanzi’s Afro-pop standard “Dede Priscilla.” on Fogaraté (1994 RCA) Dibala played his fluid, circulo riffs on all however one cut y Guerra did ns cover variation of a padre Wemba (a generalizado Congolese singer) song, writing his own lyric for “Viviré.” batalla also embraced the up-tempo merengue style known together “perico ripiao” inviting Dominican accordion legend Francisco Ulloa come perform con him un composition they co-wrote- “La Cosquillita.” the song, which equates as “the tiny tickle,” was ns first single from the album. Un dispute with the label thwarted promotion and the record did not enjoy ns commercial success the his several previous outings. After years of hectic task he only performed twice in 1995 and climate withdrew desde the business, in effect, retiring.

After a four year hiatus batalla returned con another solid record, Ni es lo Mismo, Ni denominaciones Igual (1998 Karen). Keeping his high production standard that won the Best Engineered Album in ~ the 2000 Latin Grammys. The first two singles, ns humorous cut about computers, “Mi PC” y “Palomita Blanca” (Little White Dove) got to number one on the Tropical Latin charts. But the cut the created ns biggest buzz was “El Niagra en Bicileta,” a Dominican folk metaphor for tough times- “like going over Niagra drops on a bicycle.” the song won los Latin Grammy for Best trópico Song in ~ the dos mil Latin Grammies.

Appearing infrequently in publicly in subsequent years batalla focused his attention of his organization ventures that encompass radio y television stations. He likewise went through a conversion experience, coming to be “born again” y joined one evangelical Christian church where he would do regularly. Delaware six years he re-entered ns studio y recorded Para Ti (2004 Vene Music) (For You)- dedicated to God. Shedding none the his musical chops and still wielding hip-swiveling merengue beats, the single “Las Avispas” (The Wasps) won the Latin Grammy because that Best trópico Song in 2005. Ns album additionally won ns Latin Grammy that year for best Christian Album and reportedly sold upwards of ns million copies. The hit the road again to celebrate his 20th anniversary as ns performer embarking on an ambitious tourism through ns Caribbean, sur & Central america and Europe. Billboard offered him that “Spirit of Hope” award in 2005 for his structure that helps disadvantaged Dominicans who need tratamiento médico attention.

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In dos mil seis he opened up up for los Rolling Stones (he still performs every his standard “secular” melody in concert) in Puerto Rico. Later on that year he was trasero on height of the charts with “Abriendo Caminos” (Opening Paths), uno duet with Diego Torres, y “Bendita La iluminaciones (The blessed light),” ns collaboration con Mexican piedra superstars Maná. La Llave de Mí mente (2007 EMI) followed with trece original compositions that merengue, bachata and salsa. Preserving his high standard of production y sophisticated arrangements los songs space informed, some more, some less, by his Christianity. Guerra’s influence on ancha Latin musical cannot it is in overestimated and he must be credited for bringing los diverse música of his beloved Dominican Republic to a truly worldwide audience. His artistic merit, musical integrity, y sheer inventiveness made the an idol y his astounding market success do him ns true phenomenon but, ultimately, it’s his humility that provides him worthy.